Cheong soo pieng biography template

Cheong soo pieng paintings In other projects. Cheong stylised these figures by depicting them with long, exaggerated limbs and almond-shaped eyes, drawing influence from both wayang kulit puppets and modernist artists such as Amedeo Modigliani and Alberto Giacometti. Cheong died suddenly in , bringing an abrupt end to a developing practice that was still seeing immense promise. References [ edit ].

Cheong Soo Pieng

-

Born in in China, Cheong Soo Pieng studied art at Xiamen Academy of Art and attended the Xin Hua Art Academy in Shanghai. He moved to Singapore in , where he taught at the Nanyang Academy Of Fine Arts from to
Art historians classify his prolific output into 'phases of experimentation'. These phases were: oil in impasto effects (); Chinese ink on nice Paper ( - ); oil with new effects ( - 68); abstraction ( to ); mixed sculptures and porcelain work ( ); oil with new effects (); Chinese ink with new effects (); painting on tiles and porcelain ( - ); and Chinese traditional medium on cotton.  He was an experimenter and his inventive streak developed into a distinctive visual style which influenced other contemporary artists.

In , the Government of Singapore awarded  Cheong Soo Pieng the Meritorious Service Medal.

  • Cheng soo pieng
  • Cheong soo peng
  • Item 4 of 4
  • Cheong Soo Pieng's Art For Sale, Exhibitions & Biography

    • He passed away in
     

                     Born in Fujian, China.
    ­          Studied under Lim Hak Tai Amoy Art Academy and the Sin Hua Art Academy, Shanghai
                     Outbreak of the Sino-Japanese War ended his formal studies
                     Came to S¹pore, taught at the NAFA and Chinese High until By the time he settled in Singapore, he was already an accomplished artist, proficient with the methods and materials of ink painting.


                     5 fruitful months in Bali with the other 3 pioneer artists. He also visited and worked in Sarawak in , and in , in Sabah.

    Cheong soo pieng biography template This period was marked by an increased focus on abstraction, departing from earlier Cubist-inspired modes toward a more idiosyncratic style. Iola Liu. Back to Top. Singaporean painter —


                    Travelled to Europe on an educational tour to familiarize himself with contemporary art. spent 2 years exploring Europe and held 2 successful shows in London and Munich
                     Awarded the Meritorious Service Medal by the government.

    Held 18 one-man exhibitions in S¹pore, Malaysia, Hong Kong, Taiwan, England, Germany, France and Australia


    Family
    Cheong Soo Pieng has been a dominant influence on the development of modern art in Singapore. Best known for his Balinese series of paintings, he also developed a distinctive style of painting Balinese women which strongly influenced the subsequent generation of artists.


     

    Harbor

    Along the beach

     

    Abstract ()

     

    Always one to bridge the gaps between Asian and Western art, Cheong Soo Pieng has emerged as one of the most influential artists to come out of South East Asia in the latter part of the 20th Century.

    Cheong's infinite enthusiasm for exploring new styles and avenues in art has led him to move from style to style in rapid succession during his prolific career. From the 50s to 80s, he has challenged young artists with his versatility and innovation, dabbling in all mediums from painting, to ceramics, to sculpture; and always excelling in each.

    Through the long extent of his career, Cheong was most interested in the sense of design and composition of a piece, making use of angular forms, and utilising a bold colour scheme.

    Cheong soo pieng biography template pdf Cheong died suddenly in , bringing an abrupt end to a developing practice that was still seeing immense promise. He was inspired by his trip toBali in , which led to his unique illustrations of doe-eyed female figures with elongated limbs and simplified forms reminiscent of wayang kulit puppets. See also [ edit ]. Beyond Southeast Asia, his travels to Europe in the early s spurred him to apply modern materials and techniques to bothAsian and Western subjects.

    Despite the willingness to experiment with anything and everything, these were the three principles he was unwilling to compromise. The period between to saw Cheong experiment with oil in impasto effects. Influenced by post-war Western artists, his paintings of this time inevitably possessed a raw, stripped down effect that hinted at three-dimensionality
     

    Source: excerpt from Christie's catalog